"Genealogical" connections within theatrical conceptions : Petr Bezruč Theatre (Ostrava) and Činoherní klub (Praha)
It is the transfer of a theatrical conception that stands in the centre of this study. It focuses primarily on the activities of the student ensemble Umění mladých, whose members joined Petr Bezruč Theatre in 1959, and confronts the earlier activities of Petr Bezruč Theatre with those of the following five seasons in which the Academy of Performaing Arts students became part of the ensemble. Thus, it not only proves a crucial change in the dramaturgy but it also maps the transformation of acting which, in 1965, became part of the original acting style in Činoherní klub.
Theatralia, redakce, Masarykova univerzita, Filozofická fakulta, Katedra divadelních studií, Arna Nováka 1, 602 00 Brno, Czech Republic
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