PL EN


2020 | 23 | 1 | 131-149
Article title

The vacant utopia : reflecting on the first Polish post-war staging of The Tempest

Content
Title variants
Languages of publication
EN
Abstracts
EN
In 1947 Leon Schiller staged The Tempest as his first post-war Shakespeare play. From today's perspective, his choice possibly reveals the intention to counter the harshness of post-war reality or to display a sense of an unbroken connection to pre-war efforts. However, the inherent utopianism of The Tempest coupled with all too fervent championing of his own theatrical theory laid bare the vanity of Schiller's endeavours. Furthermore, the new translation of the play turned out defective, as it was found to be coalesced with the 19th century canonical Polish version. Schiller's partisan aspirations raise additional doubts as to his motivations. Several central ideas of the play were lost in this staging, leaving one to doubt whether the utopic character of the play was been contaminated by the new hope the Soviet regime brought with it. Reviewing this production of The Tempest can provide insights into an interim period when cultural processes in Poland were moulding, a new Polish Shakespearean canon was but anticipated, and Kott's Shakespeare, Our Contemporary (1964) had yet to enter the stage.
Contributors
  • Theatralia, redakce, Masarykova univerzita, Filozofická fakulta, Katedra divadelních studií, Arna Nováka 1, 602 00 Brno, Czech Republic
References
Document Type
Publication order reference
Identifiers
YADDA identifier
bwmeta1.element.248adc5c-d792-4e4a-beca-63cfa384d5e4
JavaScript is turned off in your web browser. Turn it on to take full advantage of this site, then refresh the page.