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2011 | 59 | 1 | 27-32
Article title

OTAKAR ZICH'S CONTRIBUTIONS TO THE THEORY OF OPERA ACTING (Podnety Otakara Zicha pre teoriu operneho herectva)

Title variants
Languages of publication
SK
Abstracts
EN
The paper analyses contributions of Otakar Zich, Czech aesthetician and theatrologist, to the theory of drama and opera acting. Zich's starting point was aesthetic structuralism. In his systematic work The Aesthetics of Dramatic Art (Prague 1931), he presents his view on opera acting. It is based on an analysis of performing arts that distinguishes a dramatic character and a performer. Zich believes that opera composer does not compose just the dramatic text, but creates both musical and dramatic situations. From this position further requirements for artistic work of opera actor are derived, especially the ways of responding to opera music.
Keywords
Year
Volume
59
Issue
1
Pages
27-32
Physical description
Document type
ARTICLE
Contributors
  • Miloslav Blahynka, Ustav divadelnej a filmovej vedy SAV, Dubravska cesta 9, 841 04 Bratislava, Slovak Republic
References
Document Type
Publication order reference
Identifiers
CEJSH db identifier
11SKAAAA099416
YADDA identifier
bwmeta1.element.2a4f4177-e0ef-39fc-a070-fa126dad0cfc
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