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Journal

2004 | 49 | 2(193) | 89-110

Article title

THE PARTS OF MASS ORDINARY CALLED 'SOCIORUM' IN THE SPECIÁLNIK CODEX: A STUDY OF LATE FIFTEENTH-CENTURY POLYPHONY IN BOHEMIA

Authors

Selected contents from this journal

Title variants

Languages of publication

PL

Abstracts

EN
The Codex Speciálnik (c. 1485-1500), an important European music manuscript of its time, contains about 200 pieces of fifteenth-century polyphony. Its repertory includes contemporary music written by leading composers of the second half of the fifteenth century (from Pullois to early works of Josquin and his contemporaries), as well as pieces of Central European origin. A group of compositions called 'sociorum' seems to represent a specific local repertory written in low register (for male voices only) and can be found exclusively in the Codex Speciálnik (except for two compositions with concordances in sixteenth-century Bohemian and German sources). The parts of mass ordinary 'sociorum' can be divided into two groups: 1) compositions with an identified model and 2) free compositions. The incomplete cycle No. 1 is built on the chanson 'Corps digne-Dieu quel marriage' by Busnois and a song-like Bohemian ,Patrem'; the cantus firmus of the pair No. 47 paraphrases the antiphon 'O admirabile commercium' and the pair No. 197 is built on chants 'Credo I' and 'Sanctus I' organically incorporated into the polyphonic structure. The form of the free-composition pieces is based on the structure of their texts, usually following its short phrases. The compositional style of the 'sociorum' pieces can be characterized by the prevailing 'major' tonality, frequent use of cadences, short imitations, sequences, ostinati and homophony. The repertory of the Codex Speciálnik is witness to the knowledge of imported international repertory in one of the Bohemian cultural centres of the time (possibly Prague) at the end of the fifteenth century. It also reflects the ways in which older musical traditions were cultivated and the local contemporary compositional style developed, a style which it would be useful to study in the context of similar compositions of Central European origin.

Journal

Year

Volume

49

Issue

Pages

89-110

Physical description

Document type

ARTICLE

Contributors

author
  • L. Mrácková, Ustav hudebni vedy, Univerzita Karlova, nám. Jana Polacha 2, 116 38 Praha 1, Czech Republic

References

Document Type

Publication order reference

Identifiers

CEJSH db identifier
04PLAAAA0011269

YADDA identifier

bwmeta1.element.379f29c0-7963-32f9-906c-c47680e20bdc
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