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2009 | 63 | 1-2(284-285) | 174-184

Article title

WARSZAWSKA PRAGA. A SCATTERED SELF-PORTRAIT (Warszawska Praga. Autoportret rozproszony)

Authors

Title variants

Languages of publication

PL

Abstracts

EN
The intention of this article is to analyse accounts by artists working in the Praga district and concerning this part of Warsaw. The titular artists ascribe to Praga a number of positive values, including authenticity and a 'conducive ambiance'. The authoress portrays the prime protagonists of the Prague 'colonisation', their relations with the original residents of Praga, the dynamically developing 'Neighbours for neighbours' festival', and a local artistic venue - 'Sklad Butelek'. By referring to the theory expounded by Pierre Bourdieu, A. Chelstowska demonstrates that Praga is becoming part of the game played by artists. She perceives the changes taking place in the district within the context of a global history of the emergence of art quarters in large cities. Moreover, she analyses the myth of the art quarter and Bohemia (her understanding of the myth is the same as Roland Barthes' conception of contemporary mythicality). Finally, the study describes a number of reflections about the value of authenticity and the similarities between the part played in culture by the artist and the ethnologist.

Year

Volume

63

Issue

Pages

174-184

Physical description

Document type

ARTICLE

Contributors

  • Katarzyna Kuzko, c/o Uniwersytet Warszawski, Instytut Etnologii i Antropologii Kulturowej, ul. Obozna 8, 00-325 Warszawa, Poland

References

Document Type

Publication order reference

Identifiers

CEJSH db identifier
10PLAAAA082913

YADDA identifier

bwmeta1.element.38462ad6-fe34-3a5d-a6ba-4a4706924ec7
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