PL EN


2008 | 56 | 3 | 338-340
Article title

THE COMEBACKS OF ORPHEUS TO THE UNDERWORLD, OR, THE RISES AND FALLS OF THE MUSIC THEATRE

Authors
Title variants
Languages of publication
SK
Abstracts
EN
In his commentary to the trends in the Slovak music theatre in recent years the author draws attention to the emergence of operetta which stood at the very beginning of the musical productions. Film and the interest of drama directors in music theatre have largely contributed to the theatricalisation of what used to be exclusively singing productions and today, we are the witnesses of music theatre without live orchestra.
Year
Volume
56
Issue
3
Pages
338-340
Physical description
Document type
ARTICLE
Contributors
author
  • L. Cavojsky, Kabinet divadla a filmu SAV, Dubravska cesta 9, 841 04 Bratislava, Slovak Republic
References
Document Type
Publication order reference
Identifiers
CEJSH db identifier
09SKAAAA055311
YADDA identifier
bwmeta1.element.3bba1f8d-ea96-33d2-8713-d740735be2c3
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