THE COMEBACKS OF ORPHEUS TO THE UNDERWORLD, OR, THE RISES AND FALLS OF THE MUSIC THEATRE

• Authors: Cavojsky L.
• Languages of publication: SK

Abstracts

EN

In his commentary to the trends in the Slovak music theatre in recent years the author draws attention to the emergence of operetta which stood at the very beginning of the musical productions. Film and the interest of drama directors in music theatre have largely contributed to the theatricalisation of what used to be exclusively singing productions and today, we are the witnesses of music theatre without live orchestra.

Keywords

EN

MUSIC THEATRE; SLOVAK MUSICAL PRODUCTION

Discipline

• ARTS_&_ARCHITECTURE: ARTS & ARCHITECTURE

• Publisher: Institute of Theatre and Arts, Slovak Academy of Sciences
• Journal: Slovenské divadlo (Slovak Theatre)
• Year: 2008
• Volume: 56
• Issue: 3
• Pages: 338-340
• Document type: ARTICLE

Contributors

author

Cavojsky L.

• L. Cavojsky, Kabinet divadla a filmu SAV, Dubravska cesta 9, 841 04 Bratislava, Slovak Republic

Identifiers

CEJSH db identifier

09SKAAAA055311