PL EN


2011 | 48 | 1 | 29-46
Article title

The Nonconceptual Content of Paintings

Authors
Content
Title variants
Languages of publication
EN
Abstracts
EN
This article argues that paintings have a nonconceptual content unlike that of mechanically produced images. The first part of the article outlines an information-theory approach (Lopes, Kulvicki) modelled on the camera and based on the idea that pictures convey information about what they depict. Picture structure is conceived of as contentful by virtue of a supposed causal link with what is depicted and as nonconceptual because it is independent of observers' understanding. The second part introduces an embodied depiction approach based on Merleau-Ponty's view of style and the act of painting. It is argued that (i) because of bodily mediation the nonconceptual content of paintings cannot be assimilated to the information-theory approach; (ii) painted configurations are contentful by virtue of being the product of intelligent activity, but are nonconceptual because they differ from concepts in their representational function.
Year
Volume
48
Issue
1
Pages
29-46
Physical description
Document type
ARTICLE
Contributors
  • Andrew Inkpin, University of Eastern Piedmont, Vercelli, Italy
References
Document Type
Publication order reference
Identifiers
CEJSH db identifier
11CZAAAA09492
YADDA identifier
bwmeta1.element.3bd13926-eb3f-3733-9d4e-03c25f63e3c7
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