The Nonconceptual Content of Paintings

• Authors: Inkpin Andrew
• Languages of publication: EN

Abstracts

EN

This article argues that paintings have a nonconceptual content unlike that of mechanically produced images. The first part of the article outlines an information-theory approach (Lopes, Kulvicki) modelled on the camera and based on the idea that pictures convey information about what they depict. Picture structure is conceived of as contentful by virtue of a supposed causal link with what is depicted and as nonconceptual because it is independent of observers' understanding. The second part introduces an embodied depiction approach based on Merleau-Ponty's view of style and the act of painting. It is argued that (i) because of bodily mediation the nonconceptual content of paintings cannot be assimilated to the information-theory approach; (ii) painted configurations are contentful by virtue of being the product of intelligent activity, but are nonconceptual because they differ from concepts in their representational function.

Keywords

EN

EMBODIED DEPICTION APPROACH; INFORMATION-THEORY APPROACH; KULVICKI J. V.; LOPES D.; MECHANICALLY PRODUCED IMAGES; MERLEAU-PONTY M.; NONCONCEPTUAL CONTENT; PAINTING

Discipline

• PHILOSOPHY: PHILOSOPHY

• Publisher: Institute of Art History, Czech Academy of Sciences
• Journal: Estetika: The Central European Journal of Aesthetics
• Year: 2011
• Volume: 48
• Issue: 1
• Pages: 29-46
• Document type: ARTICLE

Contributors

author

Inkpin Andrew

• Andrew Inkpin, University of Eastern Piedmont, Vercelli, Italy

Identifiers

CEJSH db identifier

11CZAAAA09492