EN
This article analyses Boleslaw Prus' and Stefan Zeromski's understanding of Providence's Temple. The authoress tried to show how Prus and the contemporaries joined this idea with the Polish independence tradition. However, at the beginning of the XX century, the temple's project of Stefan Zeromski united ethics and aeshetics as well because of the modern style's investigations in Poland. These two projects came up to the national and social expectations and rationalized the continuity of history.