PL EN


2020 | 23 | 1 | 62-80
Article title

Ruthless polyphony and audible silences : musico-dramatic narrative in Otakar Zich's Vina

Authors
Content
Title variants
Languages of publication
EN
Abstracts
EN
Otakar Zich's opera Vina [Guilt] met with contentious criticism at its premiere in 1922. Nevertheless, its score demonstrates many of the concepts of musico-dramatic narrative outlined in his seminal text, The Aesthetics of Dramatic Art, specifically that of multivocality – the multiple modes of communication perceived through time in continuous unfolding. Vina also employs concepts of silence and sound that resonate with Vladimir Jankélévitch's Music and the Ineffable.
Contributors
  • Theatralia, redakce, Masarykova univerzita, Filozofická fakulta, Katedra divadelních studií, Arna Nováka 1, 602 00 Brno, Czech Republic
References
Document Type
Publication order reference
Identifiers
YADDA identifier
bwmeta1.element.3fe42e5c-d931-4ba5-b84f-b01140248cb3
JavaScript is turned off in your web browser. Turn it on to take full advantage of this site, then refresh the page.