THE STUDIO AS THE HOME OF THE ARTIST'S IMAGINATION (Pracownia jako dom wyobrazni artysty)
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The author - a painter of the Imaginary Portrait of Francis Bacon. Studio - describes his direct contact with the canvases of Francis Bacon. This meeting not only 'opened his eyes' to purely painterly questions, but also made it possible to establish the symbolic relations between the studio - the artist's workplace and his imagination.
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