PL EN


2011 | 1(9) | 77-89
Article title

REMIX VS. MASHUP - ON HOW TWO CYBERCULTURAL METAPHORS RESONATE (Remiks i mashup - o nielatwym wspólbrzmieniu dwóch cyberkulturowych metafor)

Authors
Title variants
Languages of publication
PL
Abstracts
EN
The article is concerned with the gentle shift within theorizing on cyberculture where the well known and much publicized metaphor of remix has often been employed as a paradigmatic tool to describe the culture of constant reconfiguration as well as (according to Lawrence Lessig's famous statetment) Read/Write culture. Given the popularity of the term throughout the whole decade of 90s and beyond, it is significant that the concept of remix has recently faded out, replaced by the notion of mashup. Reaching out to some practices of the freshly established field of sound art and reflection on the audiality, the article sketches the distance between two terms which, although close in meaning, represent also significant differences when it comes to the strategies of cultural recycling and reconfiguration of already recorded/coded material.
Year
Issue
Pages
77-89
Physical description
Document type
ARTICLE
Contributors
  • Anna Nacher, Instytut Sztuk Audiowizualnych UJ, ul. Lojasiewicza 4 (II pietro), 30-348 Kraków, Poland
References
Document Type
Publication order reference
Identifiers
CEJSH db identifier
11PLAAAA10187
YADDA identifier
bwmeta1.element.4c863488-122d-34fa-a290-ef32788eabaf
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