Společenské zpěvníky jako kulturní fenomén českého národního obrození

• Authors: Věra Svobodobá

Title variants

EN

Social songbooks as a cultural phenomenon of the Czech National Revival

• Languages of publication: CS

Abstracts

EN

As a basis of this article served the catalogue of Czech social songbooks that the author made use of in the form of computer database for the Department of Ethnomusicology of the Institute of Ethnology of the Czech Academy of Sciences. On the basis of the recent analysis of these songbooks and with regard to results of previous researches, at first the origin and development of the Czech social singing in the first half of the nineteenth century is explained, including the characteristics of central personalities (A. J. Puchmajer, J. J. Ryba, V. J. Tomášek, V. Hanka, F. M. Kníže, A. Jelen, J. K. Chmelenský, F. Škroup, F. L. Čelakovský, F. J. Vacek Kamenický, J. K. Tyl, V. J. Picek and K. Havlíček Borovský) and publications (among others, Věnec ze zpěvů vlastenských [Garland of Patriotic Songs], 1835–1839, 1843–1844). In the second part the period of one hundred years of the phenomenon of Czech social songboks is reviewed (1848–1948); accentuated is, in especial, the foundational importance of Společenský zpěvník český [Czech Social Songbook] of J. B. Pichl (1851), realized with later musical cooperation of J. L. Zvonař (1863).

Keywords

EN

social song; social songbook; catalogue of social songbooks; Czech National Revival

Discipline

• ETHNOLOGY: ETHNOLOGY

• Publisher: Institute of Ethnology, Czech Academy of Sciences
• Journal: Český lid: etnologický časopis (Český lid: Ethnological journal)
• Year: 2012
• Volume: 99
• Issue: 3
• Pages: 339-361
• Document type: ARTICLE

Contributors

author

Věra Svobodobá

• Český lid, redakce, Etnologický ústav AV ČR, v.v.i., Na Florenci 3, 110 00 Praha 1, Czech Republic