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PL EN


2008 | 61 | 20-39

Article title

Body and Fear. Physiology of Death in Zombie Horror and the Audiovisual Culture

Authors

Title variants

Languages of publication

PL

Abstracts

EN
The living dead are appearing in films for almost eighty years now. During that period, their revolting image was contextualized and related to fears typical for Western societies. From the most obvious fears such as fear of disease and death, associated with films made in the first half of the twentieth century, to the films made in the sixties and seventies, where the zombies were part of a metaphor attacking the conventional language of mainstream cinema, and the shortcomings of the 20th century consumption society. During the second half of the seventies, films about the living dead reached the peak of their popularity. Also during this period zombie horrors became visibly formulaic. Films made in the eighties and nineties dealing with the biotechnological resurrection were an attempt at reviving and refreshing the genre. These films were also characterized by the distance, irony and even a vulgar humor with which they dealt with the subject in question. Even contemporary cinema and audiovisual media, such as music video clips or adverts, deriving their iconography from science-fiction and horror, sometimes continue the process of deconstruction of the conventional image of the living dead. However it is more common to meet zombies in modern remakes of old, independently produced horror classics and film adaptations of computer games, treating the living dead as an easily identified element of the commercialized mass culture.

Keywords

Year

Issue

61

Pages

20-39

Physical description

Document type

ARTICLE

Contributors

author
  • S. J. Konefal, Uniwersytet Gdanski, Wydzial Filologiczno-Historyczny, ul. Wita Stwosza 55, 80-952 Gdansk, Poland

References

Document Type

Publication order reference

Identifiers

CEJSH db identifier
08PLAAAA04769075

YADDA identifier

bwmeta1.element.57eef27b-c68f-327a-9fa3-3f9326b3a1e1
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