Mezi záměrností a afektem: O teorii vnímání Jana Mukařovského

• Authors: Yana Meerzon

Title variants

EN

Between Between Intentionality and Affect: on Jan Mukařovský’s Theory of Reception

• Languages of publication: CS

Abstracts

EN

Erin Hurley and Sara Warner in their insightful study “Affect/Performance/Politics” (2012) remind us that humanities and social sciences today experience a new sweep of theoretical inquiry, focusing on studying affect as a leading mechanism of our cognition and communication, as well as making and receiving art products. This paper takes this theoretical proposition further. I argue that although the theory of affect is still struggling to find its own methodology of textual and performance analysis, when it is paired with semiotic approaches in theatre scholarship, it can offer interesting insights on how theatrical performance capitalizes on its built-in structural or artistic intentionality – Jan Mukařovský’s semantic gesture – to evoke the audience’s emotional responses.

Keywords

CS

afektivita; diváci; emoce; sémantické gesto; záměrnost a nezáměrnost v umění; analýza inscenace

EN

affect; audience; emotions; semantic gesture; intentionality/unintentionality in art; performance analysis

Discipline

• ARTS_&_ARCHITECTURE: ARTS & ARCHITECTURE

• Publisher: Masaryk University, Faculty of Arts
• Journal: Theatralia: Revue současného myšlení o divadelní kultuře (Theatralia: The revue of contemporary thought on theatre culture)
• Year: 2016
• Volume: 19
• Issue: 1
• Pages: 37-53
• Document type: ARTICLE

Contributors

author

Yana Meerzon

• Theatralia, redakce, Masarykova univerzita, Filozofická fakulta, Katedra divadelních studií, Arna Nováka 1, 602 00 Brno, Czech Republic

unknown

• Theatralia, redakce, Masarykova univerzita, Filozofická fakulta, Katedra divadelních studií, Arna Nováka 1, 602 00 Brno, Czech Republic