“Quid Pro Quo”: the Czech folklore revival movement in the light of totalitarian cultural policy

• Authors: Martina Pavlicová , Lucie Uhlíková
• Languages of publication: EN

Abstracts

EN

The paper deals with the transformation of society and culture in totalitarianism through the example of the Czech folklore revival movement between 1948 and 1989. While describing the main objectives of communist cultural policy, the paper observes the reasons for the mass development of folk ensembles in the 1950s, the gradual transformations to their activity, and the philosophy behind it. The degree of cooperation between folk ensembles and political power, as well as the exploitation of these troupes to promote the communist regime, was varied. Politically-engagé performances by such ensembles and their participation in events organized by the totalitarian state apparatus have resulted in many Czech people adopting a negative attitude towards the folklore revival movement as a whole. In the fact most members of these ensembles were not motivated by politics – for many of them, this leisure activity was an escape from reality to the romantically viewed world of folk tradition.

Keywords

EN

folklore revival movement; folk ensembles; totalitarianism; communist cultural policy; transformation of tradition; leisure; Czech Republic

Discipline

• ETHNOLOGY: ETHNOLOGY

• Publisher: Institute of Ethnology, Czech Academy of Sciences
• Journal: Český lid: etnologický časopis (Český lid: Ethnological journal)
• Year: 2023
• Volume: 110
• Issue: 2
• Pages: 183-210
• Document type: ARTICLE

Contributors

author

Martina Pavlicová

• Český lid, redakce, Etnologický ústav AV ČR, v.v.i., Na Florenci 3, 110 00 Praha 1, Czech Republic

author

Lucie Uhlíková

• Český lid, redakce, Etnologický ústav AV ČR, v.v.i., Na Florenci 3, 110 00 Praha 1, Czech Republic