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Publisher
Polska Akademia Nauk. Instytut Sztuki PAN
Journal
Kwartalnik Filmowy
Year
2011
Volume
---
Issue
73
Identifiers
Cover
Volume contents
73
article:
CINEMATIC AUTOBIOGRAPHISM - HISTORICAL AND THEORETICAL RECONNAISSANCE (Autobiografizm filmowy. Rekonesans historyczno-teoretyczny)
(
Podsiadlo M.
), p. 5-20
article:
CAMERA AS A SUPEREGO. ED PINCUS' 'DIARIES. 1971-1976' - THE BEGINNINGS OF PERSONAL DOCUMENTARIES ('Dzienniki. 1971-1976' Eda Pincusa albo poczatki dokumentalizmu osobistego)
(
Przylipiak M.
), p. 22-32
article:
'THE BEACHES OF AGNES': THE SELF-PORTRAIT OF VARDA (Plaze Agnes: autoportret Vardy)
(
Lubelski T.
), p. 33-41
article:
MARIAN MARZYNSKI - THE AUTOBIOGRAPHY OF A DOCUMENTARY FILMMAKER (Marian Marzynski. Autobiografia dokumentalisty)
(
Jazdon M.
), p. 42-52
article:
(SELF)THERAPEUTIC DIMENSION OF MARCIN KOSZALKA'S 'FAMILY FILMS ((Auto)terapeutyczny wymiar filmow Marcina Koszalki)
(
Kozubek M.
), p. 53-62
article:
EMPTY SPACE. AUTOBIOGRAPHICAL STRATEGIES IN DOCUMENTARY FILMS ON HOLOCAUST (Puste miejsce. Strategie autobiograficzne w filmie dokumentalnym o Zagladzie)
(
Maka-Malatynska K.
), p. 64-79
article:
SURVIVORS FROM HOLOCAUST. A STUDY ON DOCUMENTARY FILM POETICS (Ocaleni z Holocaustu. Studium z poetyki filmu dokumentalnego)
(
Hendrykowski M.
), p. 80-99
article:
ON THE BORDERLAND WITHIN AUTO/BIOGRAPHY SUZANNE OSTEN'S 'MAMMA' (Na pograniczu auto/biografii. 'Mama' Suzanne Osten)
(
Szczepanski T.
), p. 100-105
article:
'THIS IS A TRUE STORY'. ANDREA DUNBAR, LORRAINE DUNBAR AND 'THE ARBOR' BY CLIO BARNARD ('To jest prawdziwa opowiesc'. O Andrei Dunbar, Lorraine Dunbar i 'The Arbor' Clio Barnard)
(
Kosinska K.
), p. 106-118
article:
THE AUTOBIOGRAPHICAL SITUATION IN 'ZERKALO' ('THE MIRROR') BY ANDREI TARKOVSKI (Sytuacja autobiograficzna w Zwierciadle Andrieja Tarkowskiego)
(
Maron M.
), p. 133-146
article:
FROM ABOVE MISS HELENA'S MANOR TO AT THE FRONT OF THE POET'S HOUSE. THE CATEGORY OF NARRATION AND THE AUTHOR'S PRESENCE IN KONWICKI'S 'LAVA' AND 'BOHIN MANOR') (Polish title below)
(
Kaniecki P.
), p. 147-162
article:
SHRINKING THE WAR TO A LITTLE RED SPOT. AUTOBIOGRAPHIC DISPUTE IN 'THE THIRD PART OF NIGHT' BY ANDRZEJ ZULAWSKI (Dyskurs autobiograficzny w 'Trzeciej czesci nocy' Andrzeja Zulawskiego)
(
Maszewska-Lupiniak M.
), p. 163-174
article:
STEVEN SPIELBERG - THE CINEMA OF AUTOBIOGRAPHICAL METAPHORS (Steven Spielberg. Kino autobiograficznych metafor)
(
Kozlowski K.
), p. 175-189
article:
THE AUTOBIOGRAPHICAL MOTIF IN THE FILMS OF MICHAEL MOORE (Motyw autobiograficzny w filmach Michaela Moore'a)
(
Klejsa K.
), p. 190-199
article:
JUST ONE MEMORY: AN ATTEMPT AT AN AUTOBIOGRAPHY WITHOUT NARRATIVE IN THE WORK OF BILL VIOLA (Tylko jedno wspomnienie. Proba autobiografii bez narracji w pracach Billa Violi)
(
Pitrus A.
), p. 200-205
article:
THE LOST INNOCENCE OF STREET ART (Utracona cnota ulicznej sztuki)
(
Gizycki M.
), p. 206-209
article:
JOURNEY THROUGH HUMANITY (Podroz po krainie czlowieczenstwa)
(
Szczepanski T.
), p. 210-213
article:
GENERATIONAL DISTANCE (Pokoleniowy dystans)
(
Helman A.
), p. 214-218
article:
AUDIOVISUALITY IN SEARCH OF THE PARADIGMS (Audiowizualnosc w poszukiwaniu paradygmatow)
(
Nacher A.
), p. 334-337
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