RELATIONSHIPS OF KAZIMIERZ SEROCKI'S MUSIC WITH SONORISM

• Authors: Paja-Stach Jadwiga
• Languages of publication: EN

Abstracts

EN

The article sets out to prove the hypothesis that the sonoristic aspect of Serocki's music is one of the main indicators of his mature and late style. The tendency to compose polychromatic sound structures is already marked in the works dating from the 1950s, and continues until the final years of his creative development. The composer combines sonoristic and dodecaphonic techniques with aleatoric methods of shaping the work, as well as - in a few compositions - with elements of traditional techniques.

Keywords

EN

MUSIC (20TH C.); POLISH MUSIC; SEROCKI KAZIMIERZ AND SONORISM; THEORY OF MUSIC

Discipline

• ARTS_&_ARCHITECTURE: ARTS & ARCHITECTURE

• Publisher: Polska Akademia Nauk. Instytut Sztuki PAN
• Journal: Muzyka
• Year: 2008
• Volume: 53
• Issue: 1(208)
• Pages: 107-118
• Document type: ARTICLE

Contributors

author

Paja-Stach Jadwiga

• Jadwiga Paja-Stach, Uniwersytet Jagiellonski, Instytut Muzykologii, ul. Westerplatte 10, 31-033 Kraków, Poland

Identifiers

CEJSH db identifier

09PLAAAA057720