THE AUTHOR-AND-ACTOR POETICS OF DARIO FO IN THE CENTRAL EUROPEAN CONTEXT (DARIO FO AND HIS LITTLE ACTOR'S MANUAL IN THE CONTEXT OF HIS THEATRE) (Slovak title below)

• Authors: Sabolova-Princic Dagmar
• Languages of publication: SK

Abstracts

EN

(Slovak title: Autorsko-herecka poetika Daria Fo v stredoeuropskom kontexte (Dario Fo a jeho Maly manual herca v kontexte jeho divadla)). The paper is a continuation of Preco je Dario Fo nositelom Nobelovej ceny? (What Makes Dario Fo the Nobel Prize Winner?), published in Slovak Theatre No. 4/2009. This time, the author-and-actor poetics of Dario Fo is in the centre of attention; it is analysed and recreated against the backdrop of the comparisons with theatre theoreticians, such as Konstantin Stanislavsky, Bertoldt Brecht, Luca Ronconi, and also Jerzy Grotowski. What one finds in Dario Fo is Stanislavsky's identification with the character, however, without the mystic element, Brecht's educated actor, however, without the effect of alienation, the simplicity of costumes and the stage typical of the poor theatre. This blend, or collage if you will, of several well-known 20th century theatre techniques, enriched with internalisation and foregrounding and the updating of the jocular theatre technique and add flair of originality to the Fo's author-and-actor poetics.

Keywords

EN

AUTHOR-AND-ACTOR POETICS; CENTRAL EUROPE; DARIO FO; THEATRE TECHNIQUES

Discipline

• ARTS_&_ARCHITECTURE: ARTS & ARCHITECTURE

• Publisher: Institute of Theatre and Arts, Slovak Academy of Sciences
• Journal: Slovenské divadlo (Slovak Theatre)
• Year: 2010
• Volume: 58
• Issue: 4
• Pages: 612-618
• Document type: ARTICLE

Contributors

author

Sabolova-Princic Dagmar

• Dagmar Sabolova-Princic, Ustav divadelnej a filmovej vedy SAV, Dubravska cesta 9, 841 04 Bratislava, Slovak Republic

Identifiers

CEJSH db identifier

11SKAAAA09943