PL EN


2005 | 67 | 3-4 | 301-324
Article title

THE FACES OF CARICATURE IN THE IMAGINATIVE PORTRAITS OF WLADYSLAW HASIOR

Authors
Title variants
Languages of publication
PL
Abstracts
EN
Wladyslaw Hasior (1928-1999) began creating imaginative portraits in the late 1950s. Almost never images of specific persons, they are representations of certain types of people. Clearly influenced by Witkacy, Hasior's portraits served as a pretext for socio-political comment in contemporaneous Poland, thus proving him to be a caricaturist. The cycle of portraits under consideration reflects the artist's interests in mythology, primitive and folk art, surrealism and popular culture. According to the authoress, Hasior's portrait-assemblages relate to the idea of 'doublevision', and she draws parallels with Arcimboldo as well as Pablo Picasso, although by making use of a mechanism known in psychology as projection, she also treats Hasior as a successor of Alberti and da Vinci. The full meaning contained in imaginative portraits is also sought in psychological mechanisms behind the rise of caricature, thus leading to interpretations based on Freud and Ernst Kris's further elucidations of dream sequence and such like, although the portraits are also recognised as 'visual jokes' based on wordplay carried over to the actual (twisted) image created: the humorous titles applied betray the artist's fascination for the pictorial possibilities contained in language. In conclusion, Hasior's laugh is not entirely the jeering of a satirist, but above all a reflection of the times in which he lived and the mass culture they gave rise to
Year
Volume
67
Issue
3-4
Pages
301-324
Physical description
Document type
ARTICLE
Contributors
  • P. Cembrzynska, c/o Uniwersytet Jagiellonski, Instytut Historii Sztuki, ul. Grodzka 53, 31-001 Kraków, Poland
References
Document Type
Publication order reference
Identifiers
CEJSH db identifier
06PLAAAA01433173
YADDA identifier
bwmeta1.element.67cde14a-21f9-34d1-9e16-117c9e8f2b57
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