Theatralia: Revue současného myšlení o divadelní kultuře (Theatralia: The revue of contemporary thought on theatre culture) - Volume 24, Issue Special_Issue (2021) - CEJSH - Yadda

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Issue details

Publisher

Masaryk University, Faculty of Arts

Journal

Theatralia: Revue současného myšlení o divadelní kultuře (Theatralia: The revue of contemporary thought on theatre culture)

Year

2021

Volume

24

Issue

Special_Issue

Identifiers

Cover

Volume contents

Special_Issue
- article: Shakespeare in purgatory: (re)writing the history of the post-war reception (Cetera-Włodarczyk A.), p. 17-32
- article: Shakespeare on the page in Romania: before and after 1989 (Volceanov G.), p. 33-46
- article: Institutional structure, social function, and the Shakespeare repertoire in Hungary after 1989-1990 (Müller P. P.), p. 47-64
- article: Institutional heritage and 'that Shakespearean hazard' 1989-2019: the case of the Katona József Theatre and SzFE's Ódry Theatre (Pikli N.), p. 65-82
- article: 'Shakestivalling' in the New Europe (Cinpoeş N.), p. 83-101
- article: Emerging postdramatic aesthetics and Shakespeare in Hungarian theatre (Deres K.), p. 105-120
- article: Meaningless acts: migratory aesthetics in Krzysztof Warlikowski's and Paweł Miśkiewicz's dystopian adaptations of The Tempest (Kowalcze-Pawlik A.), p. 121-138
- article: Maja Kleczewska's 2019 Hamlet/Гамлет: a case of trans- / inter-cultural Shakespeare production in Poland thirty years after the transition (Fabiszak J.), p. 139-150
- article: Shakespeare in the post-1989 Hungarian Puppet Scene (Reuss G.), p. 151-170
- article: Mission (im)possible? Cross-gendered Shakespeare on Czech stages after 1989 (Mišterová I.), p. 171-185
- article: Singing in the blend: stagings of Verdi's operatic Shakespeare in the Czech Republic after 1989 (Havlíčková Kysová Š.), p. 189-208
- article: Macbeth, petty bourgeois (Wild J.), p. 209-221
- article: Textuality, heritage, and identity in Hungary: contexts for the interpretation of Szikszai's insertion in Macbeth (2018) (Almási Z.), p. 222-238
- article: Reappropriations of Shakespearean history on the post-communist Hungarian stage (Földváry K.), p. 239-253

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