THE PLEIADE POETS ON ART

• Authors: Kociszewska E.
• Languages of publication: PL

Abstracts

EN

The key issue of paper are relations between poets and artist in 16th century France, especially during the years 1540-1570. Strongly interested in contemporary painting and architecture, Pierre de Ronsard, the leader of the famous Pleiade school of French Rennaisance poets, had created many poems inspired by visual arts. By examining Pleiade's works (Joachim Du Bellay's Les Antiquitez de Rome, Les Regretz; Pontus de Tyard's Douze fables...; Ronsard's Des peintures contenues dedans... and Elegie a Janet), this essay analyzes how architectural or pictorial motifs were applied by poets, who confronted at court with centralist patronage system, have to compete for finite financial resources with visual artist, much more popular among royal and aristocratic patrons.

Keywords

EN

DU BELLAY; PLEIADE; RENAISSANCE (FRANCE); RONSARD

Discipline

• ARTS_&_ARCHITECTURE: ARTS & ARCHITECTURE

• Publisher: Polska Akademia Nauk
• Journal: Rocznik Historii Sztuki
• Year: 2007
• Volume: 32
• Pages: 35-68
• Document type: ARTICLE

Contributors

author

Kociszewska E.

• E. Kociszewska, Uniwersytet Warszawski, Instytut Historii Sztuki, ul. Krakowskie Przedmiescie 26/28, 00-927 Warszawa, Poland

Identifiers

CEJSH db identifier

09PLAAAA056613