PL EN


2008 | 63 | 7 | 592-599
Article title

THE APPEARANCE OF THE SUBLIME

Authors
Title variants
Languages of publication
SK
Abstracts
EN
J. F. Lyotard described several transformations in art history and pointed out, that the motive power of contemporary art, i.e. modern and postmodern arts, is the sublime. What does this esthetical category mean, if not that to what the common concepts, such as inspiring, admirable, or the transcendent refer? The attention is paid to Kant's articulation of the category in his 'Critique of Judgment'. Points of identity as well as of difference are searched between Kant's conception and the reflections on the problem by J. F. Lyotard, who drew on B. Newman and provided an ontological interpretation of the sublime.
Year
Volume
63
Issue
7
Pages
592-599
Physical description
Document type
ARTICLE
Contributors
  • J. Tomasovicova, Filozoficka fakulta Univerzity Cyrila a Metoda v Trnave, Katedra filozofie, Nam. J. Herdu 2, 917 01 Trnava, Slovak Republic
References
Document Type
Publication order reference
Identifiers
CEJSH db identifier
08SKAAAA05149777
YADDA identifier
bwmeta1.element.79152e3f-747a-3a94-b60a-049547606395
JavaScript is turned off in your web browser. Turn it on to take full advantage of this site, then refresh the page.