Full-text resources of CEJSH and other databases are now available in the new Library of Science.
Visit https://bibliotekanauki.pl

PL EN


2007 | 59 | 100-112

Article title

Wallpaper with a View. Barton Fink as Graduate and Precursor

Authors

Title variants

Languages of publication

PL

Abstracts

EN
The aurhor offers a new interpretation of Joel and Ethan Coen's 'Barton Fink' (1991), which is polemical towards a postmodern intertextual perspective. To him the key to the interpretation of the film is the concept of self-creative subjectivity; it has been mothballed by post-modernism as a relic of modernism but is enthusiastically revived in the works of Agata Bielik-Robson. In non-subjectoclastic (the term coined by Adam Lipszyc) terms, 'Barton Fink' appears to be the author in progress, whose evolution corresponds with poetic 'Bildung', as demonstrated by Harold Bloom in 'The Anxiety of Influence'. The self-creation of the subject, or a streak of self-transformations, leads to the ambivalent ending when you must lose to - at the same time - gain. When depicting the final stage of creative 'Bildung', the author departs from the 'Gnostic' interpretation of Bloom. If Bloom allows for a final 'ceasefire' and realization, it must be temporary and uncertain. He follows the intuition of Christopher Lasch when he sees the possibility of a lasting truce in a fortunate generational exchange.

Keywords

EN

Year

Issue

59

Pages

100-112

Physical description

Document type

ARTICLE

Contributors

author
  • M. Stroinski, Uniwersytet Jagiellonski, Instytut Sztuk Audiowizualnych, ul. Pilsudskiego 13, 31-110 Krak√≥w, Poland

References

Document Type

Publication order reference

Identifiers

CEJSH db identifier
08PLAAAA03527190

YADDA identifier

bwmeta1.element.7d895d26-aaeb-32ff-a19e-66872e9710f9
JavaScript is turned off in your web browser. Turn it on to take full advantage of this site, then refresh the page.