Full-text resources of CEJSH and other databases are now available in the new Library of Science.
Visit https://bibliotekanauki.pl

PL EN


2006 | 15 | 1 | 57-64

Article title

MODERN LITERARY CRITICISM IN FRANCE

Authors

Title variants

Languages of publication

SK

Abstracts

EN
If we think about literary criticism in France and want to define its features, we have to know which criticism we are concerned with or how we define the position of the critic. It is best to look at the historical background of the origins of the literary streams in the second half of the 20th century, and particularly at the contributions of its main representatives in the terms of the bipolar terrain, i. e. in the terms of the field of tension between the journalistic and scholarly criticism. A significant breakthrough in the critical paradigm was Roland Barthes' essay 'Sur Racine' and his polemics with Raymond Picard. At the end of the '60s, French literary criticism experienced a fruitful disturbance in which Jean Starobinski played an important role with his study 'Oeil vivant'. In the '50s, Charles Mauron started with publishing the psychoanalytical studies. The French translation of Lukacs' 'Theory of the Novel' laid ground for the sociological approach, in which the main concern is about the relations between the society and the literary work. Lucien Goldman's approach was socio-critical. Pierre Bourdieu also contributed to the debate. Sociological thinking about literature gradually turned into sociological reading and reception aesthetics. In this regard, Jacques Leenhardt and Pierre Jozsa's 'Lire la lecture' was especially significant. At the same time, new criticism emerged. It was represented by Roland Barthes. The same impulses led to the formation of 'Tel Quel'. At the beginning of the '70s, a new tendency started to develop. In the literary handbooks, it has become known as genetic criticism. The journalistic criticism has always been concerned about the current events. It has been influenced by the above-mentioned streams only marginally. Besides judging a literary work, its main function is informative. It is distinct from the scholarly criticism not only in its function, but also in its language. In a time of the economic liberalism, the scholarly criticism loses its veracity by emphasizing its informative and advertising role.

Contributors

author
  • S. Moysova, Ustav svetovej literatury SAV, Konventna 13, 813 64 Bratislava, Slovak Republic

References

Document Type

Publication order reference

Identifiers

CEJSH db identifier
07SKAAAA02244700

YADDA identifier

bwmeta1.element.7f582054-fcad-38fa-8143-dfb86325a719
JavaScript is turned off in your web browser. Turn it on to take full advantage of this site, then refresh the page.