PL EN


2009 | 2 | 31-37
Article title

THE JUDGEMENT OF TASTE AND THE CONTEMPORARYRELIGIOUS ART (Sad smaku a sztuka sakralna)

Authors
Content
Title variants
Languages of publication
EN PL
Abstracts
EN
Pierre Bourdieu argues that in modern times, every aesthetic choice is a factor of social classification. His theory demonstrates that the judgment of taste is socially constructed and at the same time itself serves to establish social distance and hierarchy. In his analysis of kitsch, however, Tomaš Kulka posits that kitsch cannot come under the judgment of taste since, by its very definition, it is devoid of 'artistic value', which is the basis of any aesthetic judgment. From the structural point of view, argues Kulka, kitsch is not art at all. Since most miraculous images worshipped by Christians are quite different from those worshipped in museums, the applicability of the judgment of taste to so-called 'religious art' should clearly be called into question. The article quotes examples from field research to argue that the factors deemed essential for judging religious images by people who use them in their religious practice suggest that their evaluation should be based on concepts such as the Gadamerian indistinguishability or Michael Taussig's mimesis rather than on modern aesthetic values.
Contributors
  • Ewa Klekot, Uniwersytet Warszawski Instytut Etnologii i Antropologii Kulturowej ul. Zurawia 4, 00-503 Warszawa Poland
References
Document Type
Publication order reference
Identifiers
CEJSH db identifier
11PLAAAA104711
YADDA identifier
bwmeta1.element.9cc03e65-d8c0-3578-94e6-ad7a13a2b258
JavaScript is turned off in your web browser. Turn it on to take full advantage of this site, then refresh the page.