'THE LIMIT OF TRANSPARENCY': THE MODERNIST SENSES ('Granica przejrzystosci'. O zmyslach modernizmu)
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Commentary to Sara Danius' published in the present issue. The author argues that modernist senses - as coupled with motion-picture cameras, photo-cameras, devices designed for recording and reproducing physical phenomena, all of them incessantly under improvement - started penetrating into areas of the reality never described before and exploring theretofore-hidden fields of vision.
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