THE POWER OF THE IMAGE: VACLAV HAVEL'S VISUAL POETRY
The author seeks here to link Havel's well-known dramatic output with his visual poetry, which is far less known. The notion of the double bind, the author argues, is a predominant trope of Havel's oeuvre. By applying Grelling's paradox to Havel's visual texts, the author illustrates the techniques Havel uses to produce logograms whose visual representation contradicts the verbal message conveyed by them.
P. Steiner, Estetika, redakce, Katedra estetiky, Filozoficka fakulta UK, Celetna 20, 116 42 Praha 1, Czech Republic,
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