EN
The authoress is describing the genesis and development of the studio theatres in the above mentioned period in Slovakia, while naming the peculiarities of the Slovak situation. She is reminding the conditions of their origin in short, and comparing them with the situation in the Czech Republic, mainly from the point of view of their institutional classification, but also of the artistic effort. For example, the Czech theatre troupes like the theatre from Brno 'Husa na provazku', 'Ha-Divadlo', 'Studio Ypsilon' from Liberec, 'Cinoherne Studio' from Usti, started like amateurish troupes, and later became professional. The Slovak theatricals did not separate from their mother theatres, making use of the possibility to function alongside with a regular theatre operation. They used to play in untraditional spaces, e.g. in the underground rooms of the theatre, museums, chapels, or in a non-approved boiler room of the theatre building in Presov.