Collage as the Principle of Mythological Thinking and Postmodern Music

• Authors: David Kozel

Title variants

CS

Koláž jako princip mytologického myšlení a postmoderní hudby

• Languages of publication: EN

Abstracts

Studie Davida Kozla je věnována formě hudební koláže ve vztahu k princpipu mytologického myšlení, stejně jako jejího použití v postmoderní hudební tvorbě.

The term neo-mythologism can be used as an interpretative approach to reflect the new 20th-century music paradigm, which helps to explain changes in the understanding of basic structural elements of myth and music. The study identifies certain possible correlations between mythological thinking and music by analysing the concept of collage (bricolage). The underlying theoretical concept employed is Claude Lévi-Strauss’ structural anthropology as proposed in La Pensée Sauvage (1962). Collage is viewed as a manifestation of neo-mythologism and as a narrative in the postmodern musical discourse, which is accompanied by changes in the understanding of the essence of the musical matter and compositional techniques of composers. The compositional treatment of several different layers of the musical structure within a musical collage with a view to conveying a new meaning is in principle akin to how meaning is generated in mythological thinking through the combination of various materials.

Keywords

EN

musical aesthetics; composition (music); mythology

CS

hudební estetika; hudební kompozice; mytologie

Discipline

• ETHNOLOGY: ETHNOLOGY

• Publisher: Institute of Ethnology, Czech Academy of Sciences
• Journal: Hudební věda (Musicology)
• Year: 2018
• Volume: 55
• Issue: 2
• Pages: 181-192
• Document type: ARTICLE

Contributors

author

David Kozel

• Hudební věda, redakce, Etnologický ústav AV ČR, v.v.i., Puškinovo nám. 9, 160 00 Praha 6, Czech Republic