Full-text resources of CEJSH and other databases are now available in the new Library of Science.
Visit https://bibliotekanauki.pl

PL EN


Journal

2009 | 41 | 7-32

Article title

RELATIONSHIP BETWEEN JAZZ AND ETHNIC MUSIC IN ESTONIA IN THE FIRST HALF OF THE 20th CENTURY (Dzassi ja rahvamuusika suhetest Eestis 20. sajandi I poolel)

Authors

Title variants

Languages of publication

ET

Abstracts

EN
This article covers an underexplored facet in the Estonian cultural history - expansion of jazz music into our cultural space and facts related to this, focussing on mutual influences between jazz and Estonian ethnic culture. Although we have been long accustomed to the fact that jazz music is an inseparable part of our culture scene, debates on what is jazz are still ongoing and there does not yet exist an overall and widely accepted definition. The relations between village bands and jazz are studied from the point of view of several acculturation theories. The article presents an overview of the situation in the Estonian music culture in the 1920s when jazz appeared in Estonia. This was an extremely favourable moment for new development - the state and the people had recently liberated themselves, thus there existed a natural wish to get oneself free from the cultural pressure dictated by politics. It appears that in several places in the region south of the Tartu-Viljandi-Parnu imaginary line people have tried to play jazz with village bands. This refers to the start-up of the acculturation process in this region between the local ethnic music and the afro-American jazz music, which had intruded into our cultural space. In order to understand the singularity of this phenomenon, the article examines in greater detail the type of ensemble called a village band in Estonia. While studying these village bands, it appeared that the village bands venturing to play jazz-like dance music were divided into two broader style-based groups. The article covers bands of both of these groups in greater detail, presenting an analysis of their makeup as well as their repertoires. Music played by those bands should be defined as Estonian-(ethnic)-music-inspired jazz-like dance music (the first group) or jazz-inspired ethnic dance music (the second group). For a more specific classification the term 'village jazz' could be used. For comparison, the article covers also haitarijazz – a symbiosis of jazz and ethnic music appearing in Finland in the 1920s-1930s. Recently more and more voices could be heard suggesting that jazz should be studied together with ethnic music, because the origin and development of jazz bear a number of common features with it.

Journal

Year

Volume

41

Pages

7-32

Physical description

Document type

ARTICLE

Contributors

author
  • Tiit Lauk, The Music School of Tallinn, Narva mnt. 28, 10152 Tallinn, Estonia

References

Document Type

Publication order reference

Identifiers

CEJSH db identifier
09EAAAAA062110

YADDA identifier

bwmeta1.element.c3c4827a-f931-3d1d-bca8-fcf6447e0b23
JavaScript is turned off in your web browser. Turn it on to take full advantage of this site, then refresh the page.