PL EN


2007 | 55 | 3 | 375-384
Article title

PRINCIPLES OF MIMESIS AND FICTION IN BAROQUE OPERA STAGE

Authors
Title variants
Languages of publication
SK
Abstracts
EN
From the point of theatre mimesis, the baroque opera stage has been suggesting mainly through its gestic tools at imitating human types and characters. The baroque opera stage did not head towards a drama substance as a particular fatal unit. The whole of stage work was based on an actor´s stylization and form. Via the category of astonishment and fantasticism, the baroque theatre inclusive of some actor means, is working with an artistic fiction. An illusion of reality - perfectly produced by then baroque scenographic means, and in contradiction to types of contemporary dramatic art, inclusive of a costume work, were creating a unique relation of artistic mimesis and artistic fiction in the history of theatre.
Keywords
Year
Volume
55
Issue
3
Pages
375-384
Physical description
Document type
ARTICLE
Contributors
author
  • M. Blahynka, Kabinet divadla a filmu SAV, Dubravska cesta 9, 841 04 Bratislava, Slovak Republic
References
Document Type
Publication order reference
Identifiers
CEJSH db identifier
07SKAAAA03216647
YADDA identifier
bwmeta1.element.c9ad2c42-3988-3839-85b6-fe4425cbcf2d
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