'CONCIO ET CANTIO': THE COUNTERPOINT OF THEOLOGY AND MUSIC IN LUTHERAN PERCEPTIONS FROM PRAETORIUS TO BACH ('Concio et cantio': kontrapunkt teologii i muzyki w tradycji luteranskiej od Praetoriusa do Bacha)

• Authors: Leaver Robin A.
• Languages of publication: PL

Abstracts

EN

In modern studies of the theology and music theory of the seventeenth and eighteenth centuries, the tendency has been for theologians to ignore references to music and for musicologists to disregard theological statements. This paper seeks to illustrate, by way of representative examples, on the one hand, some of the theological concerns expressed by music theorists of the period, and on the other hand, to record some of the musical matters explored by theologians; at the same time the paper is also a call for further research.

Keywords

EN

BAROQUE MUSIC'S THEORY; MUSIC AND LUTHER; MUSICIANS AND THEOLOGY

Discipline

• ARTS_&_ARCHITECTURE: ARTS & ARCHITECTURE

• Publisher: Polska Akademia Nauk. Instytut Sztuki PAN
• Journal: Muzyka
• Year: 2007
• Volume: 52
• Issue: 4(207)
• Pages: 5-26
• Document type: ARTICLE

Contributors

author

Leaver Robin A.

• Robin A. Leaver, Westminster Choir College of Rider University, 101 Walnut Lane, Princeton, NJ 08540, USA

Identifiers

CEJSH db identifier

09PLAAAA05779