KRESÁNKOV POHĽAD NA HUDOBNÝ TVAR A JEHO ZOBRAZOVACIE SCHOPNOSTI NA PRÍKLADE MAHLEROVEJ PIESNE DAS IRDISCHE LEBEN

• Authors: Jana Lindtnerová

Title variants

EN

Kresánek ś view on musical form and its depictive capacities as exemplified on Mahler ś song Das irdische Leben

• Languages of publication: SK

Abstracts

EN

Musical thinking and its three spheres – the sonoristic, dynamic and thematic spheres – were among the most fundamental phenomena which Jozef Kresánek explored in his musicological research. Musical thinking is a fundamental phenomenon not only in composition but also in performance, listening, reception and reflection. Hence, musical thinking is thus a common factor in all musical activities, as well as in musicology itself and its disciplines. The paper is devoted particularly to thematic musical thinking, whose basis is musical forms. The author considers Kresánek’s definition of musical forms, their division into three main groups, and the fundamental characteristics of musical forms, as well as the depictive capacities of music. Following on from these theoretical premises in the second part of the paper there is an analysis of structure and significance in Mahler’s song Das irdische Leben.

Keywords

EN

MUSICAL FORM; INDEXICALITY; KRESÁNEK JOZEF; MAHLER; SONG

• Publisher: Institute of Musicology, Slovak Academy of Sciences; VEDA, Publishing House of the Slovak Academy of Sciences
• Journal: Musicologica Slovaca
• Year: 2013
• Volume: 4 (30)
• Issue: 2
• Pages: 265 - 275

Contributors

author

Jana Lindtnerová

• Ústav hudobnej vedy SAV, Dúbravská cesta 9, 841 04 Bratislava, Slovak Republic