POÉZIA ANDREJA SLÁDKOVIČA V HUDOBNEJ TVORBE SLOVENSKÝCH SKLADATEĽOV

• Authors: Gotthardtová Kristína

Title variants

EN

Poetry of Andrej Sládkovič in the musical works of Slovak composers

• Languages of publication: SK

Abstracts

EN

The poetry of Andrej Sládkovič (1820 – 1872) has become a strong source of inspiration for several Slovak musical composers. Their motivation, choice of poems and compositional approaches varied in time. In the 19th century, adaptations of Sládkovič’s shorter poems for a cappella choirs were popular (J. L. Bella, A. H. Krčméry, M. Francisci). The ideas of national emancipation formed the background for these. In the 20th century, greater variance in compositional approaches can be observed. However, these were based on a smaller number of the poems. The article analyses concretisations of various musical genres from the musical adaptation (of the long poem Marína) for a cappella choir (Andrej Očenáš, 1957) and vocal-instrumental oratorio (Cyril a Metod – Constantine and Methodius, Tibor Andrašovan, 1987) through musical theatre and scenic music to multimedia composition. It takes a closer look at three adaptations of Detvan and describes the different authorial handlings of the poem. While Viliam Figuš-Bystrý’s opera (premiered 1928) illustrates the musical thinking of the late of the 19th century on a representative genre, the further two point to the use of progressive compositional techniques of the second half of the 20th century and represent utility music (Bartolomej Urbanec, 1963; Tadeáš Salva, 1975).

Keywords

EN

POETRY; MUSICAL ADAPTATION; MUSICAL GENRES; SLÁDKOVIČ ANDREJ; SLOVAK COMPOSERS

• Publisher: Institute of Slovak Literature, Slovak Academy of Sciences
• Journal: Slovenská literatúra (Slovak Literature)
• Year: 2021
• Volume: 68
• Issue: 2
• Pages: 135 – 144

Contributors

author

Gotthardtová Kristína

• Ústav hudobnej vedy SAV, Dúbravská cesta 9, 841 04 Bratislava, Slovak Republic

Identifiers

DOI

https://doi.org/10.31577/slovlit.2021.68.2.5