MAX DVOŘÁK BETRACHTET TINTORETTO ODER ŰBER DEN MANIERISMUS

• Authors: Wojciech Bałus

Title variants

EN

Max Dvořák observes Tintoretto or on Mannerism

• Languages of publication: DE

Abstracts

EN

The article deals with Max Dvořákk’s handling of Mannerism, exemplified on Tintoretto’s “Crucifixion” in Scuola Grande di San Rocco in Venice. In Mannerist pictures, he found ruptures, symptoms and disturbing traits. To him, all artefacts of this artistic style originated as embodiments of the pure spirituality. He didn’t regard the Mannerist era as an epoch of crisis (as did Alois Riegl and other philosophers and art historians), but as an epoch of subjectivism.

Keywords

EN

MANNERISM; DVOŘÁK MAX; WORK OF ART; CRISIS; SPIRITUALISM; SUBJECTIVISM

• Publisher: Institute of History of Art, Slovak Academy of Sciences
• Journal: ARS
• Year: 2011
• Volume: 44
• Issue: 1
• Pages: 26-44

Contributors

author

Wojciech Bałus

• Institut of Art History, Faculty of history, Jagiellonian University in Krakow, ul. Grodzka 53, P-31-001 Krakow, Poland