PL EN


Journal

ARS

2011 | 44 | 1 | 26-44
Article title

MAX DVOŘÁK BETRACHTET TINTORETTO ODER ŰBER DEN MANIERISMUS

Authors
Title variants
EN
Max Dvořák observes Tintoretto or on Mannerism
Languages of publication
DE
Abstracts
EN
The article deals with Max Dvořákk’s handling of Mannerism, exemplified on Tintoretto’s “Crucifixion” in Scuola Grande di San Rocco in Venice. In Mannerist pictures, he found ruptures, symptoms and disturbing traits. To him, all artefacts of this artistic style originated as embodiments of the pure spirituality. He didn’t regard the Mannerist era as an epoch of crisis (as did Alois Riegl and other philosophers and art historians), but as an epoch of subjectivism.
Journal
ARS
Year
Volume
44
Issue
1
Pages
26-44
Physical description
Contributors
  • Institut of Art History, Faculty of history, Jagiellonian University in Krakow, ul. Grodzka 53, P-31-001 Krakow, Poland
References
Document Type
Publication order reference
Identifiers
YADDA identifier
bwmeta1.element.cejsh-18dd5290-c4df-49e0-8576-78a506eec40b
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