MEDZI PARÍŽOM A BRATISLAVOU II. FRANCÚZSKO-SLOVENSKÉ A SLOVENSKO-FRANCÚZSKE VZŤAHY VO VÝTVARNOM UMENÍ POČAS SEDEMDESIATYCH A OSEMDESIATYCH ROKOV 20. STOROČIA (2. ČASŤ – SEGMENT)

• Authors: Bartošová Zuzana

Title variants

EN

Between Paris and Bratislava II. French-Slovak and Slovak-French relations in fine arts in the 1970s and 1980s (Part 2 – segment)

• Languages of publication: SK

Abstracts

EN

The study focuses on the events in the period of so-called normalisation, specifically between 1972 and 1989. During this period, Alex Mlynárčik continued to cooperate with French artists and art critics, notably Pierre Restany. The study points out the importance of this leading personality of Parisian New realism in terms of the presentation of Jozef Jankovič, Robert Cyprich, Jana Želibská and the White Space in White Space project in Paris. It also focuses on lesser-known publications by Geneviève Bénamou, a French art critic whose thesis was based on research conducted during her stay in Czechoslovakia. As an editor, Bénamou also prepared a book on visual artists of Czech and Slovak’s origin living outside Czechoslovakia, including Vladimir Ossif. Another personality who considerably contributed to shaping the French-Slovak relations was a young philosopher Etienne Cornevin. Over the decade he spent in Slovakia as a French language teacher, he met the circle of visual artists of his generation, members of the unofficial art scene.

Keywords

EN

PARIS; BRATISLAVA; MLYNÁRČIK ALEX; RESTANY PIERRE; ŽELIBSKÁ JANA; CYPRICH ROBERT; WHITE SPACE; BÉNAMOU GENEVIÈVE; FRENCH; SLOVAK; FINE ART

• Publisher: Institute of History of Art, Slovak Academy of Sciences
• Journal: ARS
• Year: 2021
• Volume: 54
• Issue: 1
• Pages: 73 – 97

Contributors

author

Bartošová Zuzana

• Centrum vied o umení SAV, Dúbravská cesta 9, SK-841 04 Bratislava, Slovak Republic