EN
George Banu has never allowed theoretical research and academic study to quench his emotion. His way of expressing himself was the one of a word and image craftsman. Is George Banu a friend of the theatre directors, from Brook to Zholdak, from Grotowski and Kantor to Warlikowski and Yannis Kokkos or Felix Alexa, from Strehler to Bondy or Castellucci? Is he a theatrologist who avoids the trap of recipes forced upon the art critic? In a subtle and indirect manner, he reminds us that the theatre is not a personal affair but something meant to stir the general interest that creates the bond between the human being and the world and the stars. His critical journeys are a tribute to the universality of the theatre.