Przekraczanie granic: Mnemosyne – pomiedzy historia sztuki a kinem

• Authors: Philippe-Alain Michaud

Title variants

EN

CROSSING THE FRONTIERS: MNEMOSYNE – BETWEEN ART HISTORY AND CINEMA

• Languages of publication: PL

Abstracts

EN

The Mnemosyne Atlas stressed the intrusion of photography into the discourse of the history of art and the assumption of a place traditionally reserved for the text. The Atlas does not restrict itself to describing the migration of images in the history of representation, but reproduces them. In other words, Mnemosyne is based on a cinematic way of thinking – it uses figures not to express meanings but to yield effects. It is precisely in the cinema that we may encounter the strongest links with the Warburg undertaking.

Keywords

EN

Aby Warburg

• Publisher: Polska Akademia Nauk. Instytut Sztuki PAN
• Journal: Konteksty - Polska Sztuka Ludowa
• Year: 2011
• Volume: 65
• Issue: 2-3(293-294)
• Pages: 149-155

Contributors

author

Philippe-Alain Michaud