PHILOSOPHERS, EPIGONES, AND AESTHETES. AT THE INTERFACE OF IDEOLOGICAL AND AESTHETIC STATEMENTS ON MUSIC PRODUCTION

• Authors: Kopčáková Slávka
• Languages of publication: EN

Abstracts

EN

This paper explores various (even contradictory) evaluations and perspectives on musical works that originated in a variety of cultural and geographical areas in the 20th century. It presents opposing views (coming from both sides of the Atlantic Ocean, from different ideological positions, political groups or establishments, etc.). It analyses what Theodor W. Adorno’s negative dialectics, Grigori M. Schneerson’s aesthetic disorder, Władysłav Malinowski’s theologizing of socialist realism and Arthur C. Danto’s expression about abuse of beauty have in common. At the same time, it demonstrates how particular philosophical, aesthetic, and ideological conceptual frameworks affect music production and reception. The philosophical conceptual framework and contemporary theoretical ideologiszing views have a broader scope and document the mutual interactions of arts and ideology at both poles of the Euro-Atlantic culture axis in the 20th century.

Keywords

EN

ARTS; IDEOLOGY; SOCIALIST REALISM; THEODOR W. ADORNO; WŁADYSŁAV MALINOWSKI; GRIGORI M. SCHNEERSON; ARTHUR C. DANTO

• Publisher: Institute of Theatre and Arts, Slovak Academy of Sciences
• Journal: Slovenské divadlo (Slovak Theatre)
• Year: 2024
• Volume: 72
• Issue: 3
• Pages: 287 – 303

Contributors

author

Kopčáková Slávka

• Inštitút estetiky a umeleckej kultúry, Filozofická fakulta Prešovskej univerzity v Prešove, 17. novembra 1, 080 01 Prešov, Slovak RepublicARTS IDEOLOGY SOCIALIST REALISM THEODOR W. ADORNO WŁADYSŁAV MALINOWSKI GRIGORI M. SCHNEERSON ARTHUR C. DANTO

• https://orcid.org/0000-0002-4123-4394

Identifiers

DOI

10.31577/sd-2024-0022