EN
The paper outlines an analysis of compliance of historical panorama representation using spatial transformation. Although this method deals usually with maps, the reliability of this unconventional experiment may be supported by theoretical principles of cartography and descriptive geometry. The fresco has been spatially transformed using a geo-referencing tool, e.g. it was given spatial positions according to the points identified on the drawing as well. The purpose was to quantify the differences of the artworks. A way to implement exact mathematical methods in historical research was demonstrated. The geospatial approach was forced to abandon the usual point of view and to perceive a kind of geographic data from the position of an artist – landscape painter.