Opisac filmikowanie. „Eulalia” jako ekfraza filmiku „Napad na stacji”)

• Authors: Izabela Tomczyk

Title variants

EN

DESCRIBING AMATEUR SHORT FILM MAKING. “EULALIA” AS AN EKPHRASIS OF THE SHORT MOVIE “NAPAD NA STACJI” (“ASSAULT AT THE STATION”)

• Languages of publication: PL

Abstracts

EN

The text attempts at an interpretation of Miron Bialoszewski’s prose Eulalia. The title heroine is a doll, a mannequin, which Bialoszewski’s friend Adriana Buraczewska made of paper mass and colourfull pieces of cloth. Eulalia appears in Bialoszewski’s few movies, i.e. short silent films produced in Bialoszewski’s flat in Warsaw district of Zoliborz. The story in question is the only one in Ada and Roman Klewin’s creativity, which the poet exclusively devoted to filming. Starting from the meaning of the heroine (“Eulalia” is the one who is distinguished as having the values of a speaker), the author tries to prove that the piece is an ekphrasis of a silent movie. Exploring the rich ekphrasis-researching tools, the author choose the approach proposed by Jan Elsner. It allows for an examination of the relationship between the word and the picture as well as adds the problems of movie and look into its considerations.

Keywords

EN

MIRON BIALOSZEWSKI; BIALOSZEWSKI’S “EULALIA”; SHORT MOVIE “ASSAULT AT THE STATION”; EKPHRASIS

• Publisher: Instytut Badań Literackich PAN
• Journal: Pamiętnik Literacki
• Year: 2013
• Volume: 104
• Issue: 1
• Pages: 45–82

Contributors

author

Izabela Tomczyk

• Cardinal Stefan Wyszynski University in Warsaw