Title variants
THE WONDERFUL AWARENESS OF DEFEAT. ON “`WSTYD” BY JERZY BEREŚ
Languages of publication
Abstracts
The point of departure of this analysis of Jerzy Beres’ Wstyd, realised in 1989 at the Centre of Polish Sculpture in Orońsko, is a comparison of the feeling of shame experienced by the artist in the course of the performance, and the indignity that is an important component of a masochistic spectacle. Such embarrassment is a confirmation of the unsteady position of the subject, his balancing between two simultaneous positions – that of the object and the subject. This situation in the artist’s activity is interpreted as a private ritual of experiencing freedom while being aware of its actual deprivation.
Journal
Year
Volume
Issue
Pages
136-139
Physical description
Contributors
author
References
Document Type
Publication order reference
Identifiers
YADDA identifier
bwmeta1.element.cejsh-6c2949f2-9a5d-4300-840c-a9a0e30c64d9