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Journal

2012 | 10 | 1(18) | 102-112

Article title

Potwór nie-my. Rzecz (o) zombie

Selected contents from this journal

Title variants

EN
MUTE MONSTERS. ON A ZOMBIE THING

Languages of publication

PL

Abstracts

EN
In their first cinematic embodiment (in Halperin brothers’ film White Zombie) “the living dead” were presented, contrary to the later versions, as silent phantoms of people, whom they once were. Today, after George A. Romero’s and his followers’ films, they have become bloody monsters posing threat to mankind. In this context it is worth to recall the words of the film’s character Gabrien Van Helsing, whose remarks from the conversation with the Churchman go as follows: “For you they are monsters, only the evil which must be destroyed. I see them dying and becoming humans whom they once were.” Zombies are those monsters who make this visible: they are creatures, who ceased to be human, they once had been, and become mute “things” – the evil to be destroyed. A living dead remains mute (Pol. niemy), and becomes something that “we are not” (Pol. nie my). Slavoj Žižek states, that zombies are the dead which come back from their graves, since they are unable to find the place they deserve in the texts of culture, being the ones deprived of the right to tell their own stories. Somewhere else Žižek says that Mary Shalley’s Frankenstein is unique, since the author decides to give voice to the monster, letting him present his version of the story. Thus, according to Žižek, her monster ceases to be a sheer “thing” – and becomes a “subject”. It seems that the status of a monster in our culture is related to the fact that “monster” [le monster] is derived from the French verb “to show” [montrer], as Jacques Derrida suggested. Marina Warner indirectly refers to that, when she writes about a phantasmatic aspect of an anemy/monster: a monster, which in a way remains an image without history – the one which is perceived as a monster, a phantom, deprived of a human dimension. Taking that into accout we may pose a question: can the monster speak? Can we perceive anything more than just a mute “thing”? If yes, what an how does it speak to us?

Keywords

EN
MONSTERS   ZOMBIE   MOVIE  

Journal

Year

Volume

10

Issue

Pages

102-112

Physical description

Dates

published
2012-10

Contributors

  • Uniwersytet Śląski w Katowicach, Wydział Filologiczny, pl. Sejmu Śląskiego 1, 40-032 Katowice

References

  • - J. J. Cohen, Monster Culture (Seven Theses), [w:] tenże: Monster Theory, Minneapolis 1996,
  • - Owidiusz, Metamorfozy, przeł. A. Kamieńska, S. Stabryła, Wrocław 1995.
  • - G.D. Rhodes, White Zombie: Anatomy of a Horror Film, Jefferson 2006.
  • - K. Mikurda, Ekran z dziurką, [w:] T. McGowan, Realne spojrzenie. Teoria kina po Laca-nie, przeł. K. Mikurda, Warszawa 2008.
  • - M. Shelley, Frankenstein, przeł. P. Łopatka, Kraków 2009.
  • - M. Warner, Phantasmagoria: Spirit Visions, Metaphors, and Media into the Twenty-first Century, Oxford 2006.
  • - S. Žižek, Lacan. Przewodnik Krytyki Politycznej, przeł. J. Kutyła, Warszawa 2008.
  • - S. Žižek, Lacrimae rerum. Kieślowski, Hitchcock, Tarkowski, Lynch, przeł. G. Jankowicz, J. Kutyła, K. Mikurda i P. Mościcki, Warszawa 2007.
  • - S. Žižek, Patrząc z ukosa, przeł. J. Margasiński, Warszawa 2003.
  • - S. Žižek, Przekleństwo fantazji, przeł. A. Chmielewski, Wrocław 2001.
  • - S. Žižek, Przemoc. Sześć spojrzeń z ukosa, przeł. A. Górny, Warszawa 2010.

Document Type

Publication order reference

Identifiers

YADDA identifier

bwmeta1.element.cejsh-6f5defdd-d273-4987-a3da-f9c2151186ef
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