DILEMA (NE)DEFINOVATEĽNOSTI UMENIA

• Authors: Makky Lukáš

Title variants

EN

Dilemma of (un)definability of art

• Languages of publication: SK

Abstracts

EN

The current form and transformation of artistic practice in the 20th and the 21st century caused some estrangement of the recipient and the art. The current discourse is therefore dominated by some distrust in defining the criteria of (not only) contemporary art, or even the dilemma of whether or not art has to be defined at all, mostly under the influence of Morris Weitz. Arthur Danto very aptly reminds that there is currently no way to distinguish art from objects that are not art, even though many theorists have tried to come up with a (normative) solution. The need to distinguish different objects in order to carry out the theoretical examination or to have a functional defining apparatus for criticism, or the exhibition practice is not necessary only on the semantic level. The aim of the submitted paper is therefore to offer a brief cross-section of theories, which, over the past sixty years, dealt with the problem of the definition of art and (re)appreciate/re-think the need for a functional definition of art as the determinant of adequate aesthetic theory.

Keywords

EN

FINE ART; DEFINITION; CRITERIA; ANALYTICAL AESTHETICS; CLUSTER DEFINITION

• Publisher: Society for Aesthetics in Slovakia ad Institute of Aesthetics and Art Culture
• Journal: ESPES
• Year: 2019
• Volume: 8
• Issue: 1
• Pages: 7 – 19

Contributors

author

Makky Lukáš

• Filosofická fakulta, Masarykova Universita, Brno, Czech Republic

Identifiers

DOI

https://doi.org/10.5281/zenodo.3255283