O DIELE, KTORÉ NEBEZPEČNE PREDBEHLO DOBU A NEPODPÍSALO ŽIADNU ZMLUVU S DIABLOM

• Authors: Glocková Mária

Title variants

EN

On the work which overtook dangerously his period and did not sign a treaty with the devil

• Languages of publication: SK

Abstracts

EN

This work was created in merry Czechoslovak, and for a “Faustian” experiment also favouring sixties. In the hindsight we may call the Octagon (1962) by Ladislav Kupkovič, being the brightest artistic persona of then new music and the initiator of non-formal group Music of today, a parable of good and bad, not only in production but also in authors personal life. In the time of the creation and after a “little while” of liberty the author immigrated to West Germany and his work of art became a symbol of two phenomenon of an age that represented the social and also political relationships. They also documented the political animosities of seventies, creating the pressure from Kremlin and the society was under the influence of normalization.

Keywords

EN

SLOVAK MUSIC; AVANT-GARDE MUSIC; MUSIC COMPOSER; KUPKOVIČ LADISLAV; OCTAGON

• Publisher: Society for Aesthetics in Slovakia ad Institute of Aesthetics and Art Culture
• Journal: ESPES
• Year: 2014
• Volume: 3
• Issue: 2
• Pages: 37 – 42

Contributors

author

Glocková Mária

• Fakulta múzických umení, Akadémia umení v Banskej Bystrici, Banská Bystrica, Slovak Republic