THE CODE AND THE PERSPECTIVE OF IDENTITY IN THE NOVEL OF INTROSPECTION
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The introspective novel implies a perspective that goes beyond the clichés of the psychological novel. One of the main differences lies in the complex system of the new modernist code that can be easily traced in introspective novels, where expressing thoughts and over-all perspectives are established by criticism. The paper aims at analyzing shapes of the new literary code where thought transposed into art is no longer an expression of a subject, but becomes trans-subjective, by means of metamorphosis. The word is, thus, in introspective writing, more than an instrument of communication, much rather a sign of the aspiration towards the truth.
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