PL EN


2017 | 72 | 10 | 813 – 824
Article title

K FENOMENOLÓGII UMELECKEJ KRITIKY

Authors
Title variants
EN
Towards the Phenomenology of art criticism
Languages of publication
SK
Abstracts
EN
Husserlian phenomenology can analyse the art criticism in two ways: first, it can analyse its very transcendental possibilities; second, it can analyse it as a particular cultural institution. The former approach places art criticism within analyses of pure consciousness at the “crossroad” between aesthetic and natural attitude while arguing for primacy of the aesthetic experience in artistic value judgment. This analysis comes with a particular normative prescription for the art criticism. However, such prescription does not sufficiently address the multifaceted tasks the living art criticism takes upon itself. Therefore, the article investigates and outlines the latter approach, too, that is, the ways in which Husserlian phenomenology can engage with the art criticism as a cultural institution. Leads are offered by Husserl’s treatment of the ethical dimension of vocation, which could be fruitful for the art criticism as well.
Keywords
Year
Volume
72
Issue
10
Pages
813 – 824
Physical description
Contributors
  • Filozofický ústav SAV, Bratislava, Slovak Republic
References
Document Type
Publication order reference
Identifiers
YADDA identifier
bwmeta1.element.cejsh-82bb2539-f023-4a6b-8ecf-824f19c061c9
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