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2012 | 8 | 2 | 229-259

Article title

Ciała osobliwe w przestrzeni freak/talk show

Content

Title variants

EN
Freak bodies (with)in a freak/talk show

Languages of publication

PL

Abstracts

EN
The corporeal difference is the most fundamental in experiencing the otherness of the other. Confrontations with freak bodies in public spaces often leave us helpless, yet they call for strategies that would resolve the problem of their otherness. Modernity has formulated two basic rules governing the presence of heterotopic body: its medicalization and normativization. It would then seem that there is now a void where once was a freak show. Yet, the traces of freak shows’ spectacular logic can be traced in the television talk show formula. The comparison of these two is not aimed only at pointing at some superficial similarities, but also to more in-depth analogies concerning the logic of representation of corporeal otherness and lastly – to the metanarrative behind the show that justifies its obscenity. The paper concludes with a question of the possibility of adapting, yet, another strategy of making freak bodies publicly visible: freak show-based performances of disabled artists.

Year

Volume

8

Issue

2

Pages

229-259

Physical description

Contributors

  • Instytut Socjologii Uniwersytetu im. Adama Mickiewicza ul. Szamarzewskiego 89c 60-568 Poznań, Poland

References

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  • Dijck van José (2002) Medical documentary: conjoined twins as medical spectacle. „Media, Culture & Society”, vol 24, no. 4, s. 537–556.
  • Durbach Nadja (2010) Spectacles of Deformity. Freak Shows and Modern British Culture. Berkeley: University of California Press.
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  • Garland-Thomson Rosemarie, ed., (2009) Staring. How We Look. New York: Oxford University Press.
  • Godzic Wiesław (2004) Telewizja i jej gatunki po „Wielkim Bracie”. Kraków: Wydawnictwo Universitas.
  • Goffman Erving (2005) Piętno. Rozważania o zranionej tożsamości. Przełożyły Aleksandra Dzierżyńska, Joanna Tokarska-Bakir. Gdańsk: Gdańskie Wydawnictwo Psychologiczne.
  • Hadley Bree (2008) Mobilizing the Monster: Modern Disabled Performers’ Manipulation of the Freakshow. „M/C Journal”, vol. 11, no. 3 [dostęp 7 czerwca 2010 r.]. Dostępny w Internecie ‹http://journal.mediaculture.org.au/index.php/mcjournal/article/viewArticle/47›.
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  • McKenzie Jon (1995) Telepathy, the Elephant Man, Monstration. „Journal of Popular Culture”, vol. 28, no. 4, s. 19–36.
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  • Sandahl Carrie, Auslander Philip, eds., (2005) Bodies in commotion: disability and performance. Ann Arbor: The University of Michigan Press.
  • Snyder Sharon L., Mitchell David T. (2001) Re-engaging the Body: Disability Studies and the Resistance to Embodiment. „Public Culture”, vol. 13, no. 3, s. 367–389.
  • Stulman Dennett Andrea (1996) The Dime Museum Freak Show Reconfigured as Talk Show [w:] Rosemarie Garland-Thomson, ed., Freakery. Cultural Spectacles of the Extraordinary Body. New York: New York University Press, s. 315–326.
  • Wieczorkiewicz Anna (2006a) Powrót Człowieka-Słonia. O problemach z doświadczaniem obcości [w:] Ryszard Nycz, Anna Zeidler-Janiszewska, red., Nowoczesność jako doświadczenie. Kraków: Wydawnictwo Universitas, s. 135–164.
  • Wieczorkiewicz Anna (2006b) Osobny świat osobliwości. „Kultura i Społeczeństwo”, nr 4, s. 3–30.

Document Type

Publication order reference

Identifiers

YADDA identifier

bwmeta1.element.cejsh-9057c5ee-1374-4ad5-9f3a-5e866434d030
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