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2024 | 72 | 4 | 307 – 319

Article title

DVA PROJEKTY DIVADLA JEDNÉHO HERCA V DIVADLE HUSA NA PROVÁZKU V BRNE AKO PRÍKLAD (NIELEN) ESTETICKEJ UDRŽATEĽNOSTI DIVADELNEJ TVORBY

Content

Title variants

EN
Two one-man show projects of the Goose on a String Theatre in Brno as examples (not only) of aesthetically sustainable theatre making

Languages of publication

SK

Abstracts

EN
This study deals with sustainable theatre making in the form of one-man shows in the context of the artistic creations of the Goose on a String Theatre in Brno. In the first part, the author names the reasons for creating projects and productions of this form, which have always had both an artistic and a financial and operational character. In its artistic ideology, each project or production of this theatre is based on the concept of irregularity in dramaturgy, direction, scenography, incidental music, etc. Thanks to this concept, the Goose on a String Theatre has oriented its repertoire towards artistic and non-artistic forms, genres, and types that were untypical of Czechoslovak theatre culture not only when the theatre company was established (1967) but also in subsequent decades. With respect to organization, the creations of the Goose on a String Theatre were based on a theoretical study written by the director Petr Scherhaufer introducing a new mode of operation called the 1970 Model, by which the theatre was able to constantly re-conceptualize its activities. The second part of the study demonstrates how some of the sustainable practices were used in two major one-man show projects of this theatre, Mistero Buffo (1977) and Bluff (1982–1983).

Year

Volume

72

Issue

4

Pages

307 – 319

Physical description

Contributors

  • Filozofická fakulta Univerzity Konštantína Filozofa v Nitre, Hodžova 375/1, 949 01 Nitra, Slovak Republic

References

Document Type

Publication order reference

Identifiers

YADDA identifier

bwmeta1.element.cejsh-94821024-bb05-439f-ab52-525e57721e66
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